Avid’s audio interfaces for Pro Tools, including the latest Pro Tools MTRX Studio unveiled at NAMM 2020, at least combined Avid's required proprietary DigiLink interface for ProTools, with Dante, ADAT and other integration options, as well as direct support for EuCon remote control (used in all of Avid's control surfaces). The previous hardware options for Pro Tools, including those announced just at the start of 2020, relied on the best audio industry partners Avid could engage with, from Apogee to Sonnet Technologies, and Digital Audio Denmark (DAD), which was the chosen supplier for its most recent audio interfaces. So, there's essentially the new Carbon audio interface. For audio post professionals, Pro Tools 2020 includes native integration to export ADM files for Dolby Atmos, a new space clips function that lets you arrange a multitude of clips in a fraction of the time, and it reintroduces the ability to bounce sessions to QuickTime formats in macOS Catalina."Ĭonsidering the recent introduction of Blackmagic's DaVinci Resolve 17, which runs on Windows, Linux and macOS, and inclusively supports already the latest macOS Big Sur release - and is fully ready to support and leverage the latest Mac Silicon M1 processors - plus the fact that 2020 is not exactly a reference you want to keep in consumer’s minds in 2021 with a product released in November, it seems clear that software was not the focus for Avid. It also provides new ways to create and advance ideas with the ability to analyze audio and render it as MIDI notes. As Avid explains, this comes with Pro Tools 2020.11, which "introduces a new dramatic dark themed UI that’s sleek, inspiring, and easier on the eyes - especially in lower light conditions. In fact, it is a dedicated bundle of an hardware interface and software. Please note-All digital audio format channel counts are listed at 44.1/48 kHz and are subject to standard channel count reductions at higher sample rates unless otherwise noted.Well, to be fair, Pro Tools Carbon is not only a new audio interface. Word Clock/video black burst (VBB) via BNC connectors, Dante Sync, Digital Inputs Internal, Word Clock and Loop Sync via BNC connectors, Dante Sync, ADAT Sync Pro Tools, Logic Pro, Cubase, and other Core Audio workstations Delay management adjustable up toġ000ms (200ms per monitor set and 800 per channel) Delay management adjustable up toģ00ms (200ms per monitor set and 100 per channel)īuilt-in SPQ Speaker Processing, providing up to 1,024 filters across 64 channels at 48k and 96k, scaling at higher sample rates. 2 x 16-channel Dual SDI/HD/3G card with built-in SRCĭigital crosspoint matrix (input to output routing)ĥ12 x 64 (supports full theatrical Dolby Atmos mixing)īuilt-in SPQ Speaker Processing, providing up to 256 filters across 16 channels.128-channel IP Audio Dante card with built-in SRC.NEW Thunderbolt 3 Option Module (enables up to 256 channels of native low-latency I/O at 44.1/48 kHz and 88.2/96 kHz, 128 channels at 176.4/192 kHz, and 63 channels at 384 kHz to Pro Tools and other Core Audio DAWs).64-channel DigiLink I/O card (two DigiLink Mini ports) at all sample rates.2 Mic/Line Pristine AD input card (DB25).8 Mic/Line Pristine AD input card (DB25).NEW Thunderbolt 3 Option Module (enables up to 64 channels of native low-latency I/O at all sample rates to Pro Tools and other Core Audio DAWs).Optional I/O and connectivity (cards and modules sold separately) 64 channels of Dante I/O at all sample rates.64 channels of DigiLink I/O (via two 32-channel DigiLink Mini ports) at all sample rates.See how Pro Tools | MTRX II compares to Pro Tools | MTRX Studio to determine which interface is right for your needs.įixed I/O configuration with option for Thunderbolt 3 connectivityįully customizable I/O with eight option card slots install up to eight total analog, DigiLink, and/or digital I/O cards
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